印量：500 本（48頁，柯式印刷）
版次：2023年5月、第一版
語言：中英雙語
簡介：相對於由共同立場或價值觀構成的「共識」，法國哲學家洪席耶 (Jacques Rancière）提出「異識」(Dissensus) 此一概念，以作為干擾「共識政治」的運作。這一期《亞際木刻圖繪》以此為題，與讀者一同探討藝術家如何藉由「異識」介入不同地域的個案，從而提供另一種思考政治的角度。
Introduction: Different from understanding politics as an entity consisting of common positions or values, dissensus emphasizes the existence of difference itself as the condition that constitutes politics. This issue borrows the idea of dissensus suggested by French philosopher Jacques Rancière, to propose the aesthetical potential of dissenting opinions as a way to interfere with cultural hegemony. By examining cases in different regions, we hope to leap out from the framework of consensus politics and explore how artists intervene with dissensus in reality, providing another perspective for us to think about the operation of power structure in our society.
目錄 作為「異識」的藝術實踐 ｜編輯部 撥開「稻米獠牙」的「反猶主義」疑雲｜陳韋綸 懷抱一九八〇年代而活：紀念「六月鬥爭」三十五週年邀請展《李相浩・解剖歷史》｜稻葉真以 紙上策展：爭議之後 | 狩野愛 發出自己的聲音，然後再擴散：「木刻波流」訪談｜吳君儀 世界上的苦難不是我們獨有：「版畫為民眾」訪談｜吳君儀 我們希望自己的作品能成為抗議現場的戰鬥工具：「Dis-Print Kultur」訪談｜ 陳韋綸
Contents
Dispelling the Anti-Semitism Suspicions around Taring Padi | Chen Wei-lun
Living with the 1980s: Lee Sang-ho: Dissecting the History An Invitational Exhibition Commemorating the 35th Anniversary of the June Struggle | Mai Inaba
Curation on Paper: After the Controversy | Ai Kano
Make Our Own Voice and Spread it: Interview with Woodcut Wavement ｜Krystie Ng
Oppressions are not Endemic: Interview with Printmaking for the People｜Krystie Ng
We Want Our Artwork to be Used as a Tool to Fight in the Field: Interview with DIS-PRINT KULTUR | Chen Wei-lun
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有關「亞際木刻圖繪」：
成員來自台灣、香港、中國大陸和馬來西亞，以串連和紀錄亞洲各地的木刻實踐為主軸，藉以打開相關實踐的對話、合作和評論空間，更多資訊請見：instagram.com/mapping_woodblock
About “Inter-Asia Woodcut Mapping”
Formed by members from Taiwan, Hong Kong, Mainland China and Malaysia, we focus on connecting and documenting woodcut practices across Asia, as to open up spaces for dialogue, collaboration and critique. For more information, please refer to instagram.com/mapping_woodblock
