出版：亞際自組織木刻實踐圖繪小組 （吳君儀、李俊峰、李丁、范垂陽）
版次：2019年冬（第一版）
印量：300本（34頁，孔版印刷，台灣）
尺寸：27.7 x 20 cm
語言：中英雙語
簡介：
In the late 1990s, the self-organized practice of woodblock printing began to flourish in Indonesia, which later indirectly gave rise to the formation of printmaking collectives in Malaysia, Japan, Taiwan, Hong Kong, and Mainland China. As exchanges across these places become more frequent, they gradually form a cross-regional network. Different from the orientation that mainly focuses on its political visual production, their practice tries to combine grassroots daily life issues and an equal deliberation process with the process of collective art creation, integrating both aesthetical, political, and ethical dimensions, and making us rethink the meaning of "art collective".
"Mapping on the Development of Self-Organised Woodcut Collectives in the Inter-Asian Context (1990s–2010s)" compiles five articles from the practitioners and researchers in this network. Through their empirical analysis and first-hand experience, we hope to show these practices from an inter-Asian perspective and how this could serve as a reference for an alternative route of cultural production.
